- CANON C300 PLUGIN FOR FINAL CUT PRO 7 1080P
- CANON C300 PLUGIN FOR FINAL CUT PRO 7 FULL
- CANON C300 PLUGIN FOR FINAL CUT PRO 7 PRO
Now you can successfully and easily import Canon C300 Mark II 4K MXF files to FCP 6/7 or FCP X for editing with best quality.ġ. Batch conversion is supported.Ĭlick on the “Format” bar and get the dropdown menu, then move your pointer to choose “Final Cut Pro> Apple PreRes 422” as the output format.Ĭlick the “Convert” icon under the preview window, and the Mac MXF to FCP Converter will start transcoding C300 MK II footage to Prores MOV for FCP X on Mac.Īfter the conversion, click the “Open” button to locate converted files, then load ProRes. Launch the program and click “Add” button to import the Canon C300 MKII 4K MXF files to the top MXF to ProRes Converter Mac. Guide of Transcoding Canon C300 Mark II 4K XF-AVC to ProRes for FCP X/7/6 If you’re facing problems importing/editing the C300 MKII 4K footage in FCP X or FCP 7/6, chances are you already installed this great utility.
CANON C300 PLUGIN FOR FINAL CUT PRO 7 PRO
It provides optimal presets such as Apple Prores 422, Apple ProRes 422(HQ), Apple ProRes 422 (LT), Apple ProRes 422 (Proxy), and Apple ProRes 4444 for Final Cut Pro Apple InterMediate Codec for iMovie DNxHD for Avid Media Composer, etc. In this case, you need the help from Brorsoft MXF Converter for Mac, a professional 4K MXF converter app. To get rid of this trouble, a wise option is to convert the C300 Mark II XF-AVC codec to ProRes(in proper settings) for Final Cut Pro.
CANON C300 PLUGIN FOR FINAL CUT PRO 7 1080P
What’s more, the old version FCP X or Final Cut Pro 6/7 like many editors use 1080p as primary delivery format it is impossible to import 4K MXF to FCP directly. Ultimately, the MXF files from C300 Mark II are not ideal for editing in Final Cut Pro. It achieves a high data compression rate although, this codec is difficult for video editing programs including Apple’s Final Cut Pro to recognize and support. So what’s the matter? Read on.įrom the C300 Mark II specs, we know it uses Canon’s new XF-AVC codec to record video files and package them in an. although Apple’s FCP X has just been updated to support the new XF-AVC 10-bit format found in the C300 Mark II, many folks are encounterring problems when working with Canon C300 Mark II 4K XF-AVC in Final Cut Pro X and FCP 7/6. The C300 Mark II uses new XF AVC codec (same as Canon XC10) that lets you record 10-bit, 4:2:2 4K files onboard.
CANON C300 PLUGIN FOR FINAL CUT PRO 7 FULL
If you don’t need 4K, you can capture 2K or full HD at 12-bit 4:4:4 for better color reproduction, The same as with the C500. It integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K recording with a maximum resolution of 4096 x 2160 pixels. The Canon C300 Mark II has been out for some time now. The easy worakround to work with Canon C300 Mark II 4K XF-AVC footage in FCP 7/X smoothly is to transcode the new XF-AVC codec to FCP more “edit” friendly codec- Apple ProRes.
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